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Covered In Jesus' Blood
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Adaptive Emotional Use
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The Total Black label have done it again, with this grim and punishing noise outing from Death Kneel.
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The brilliant Oil Thief returns with seven new songs of rhythmic, punishing, quasi-industrial electronics.
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On her latest record, Margaret Chardiet explores the ways human beings destroy one another.
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The veteran noise unit takes on themes of loneliness and isolation with their harsh, disquieting soundscapes.
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Brutality in Stone
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The latest from Terence Hannum's anti-fascist power electronics project uses claustrophobic noise to evocative, visceral ends.
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Blood Oath
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